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SIMONE WOLF, TYPEVENTS ITALY
and CATHERINE GRIFFITHS

with funding assistance by

creative new zealand

mondriaan foundation

netherlands embassy

and sponsorship by

college of creative arts,
massey university

dalton maag

fontlab

fuji xerox

freestyle

prodesign

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our website
springload
with
catherine griffiths

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/ observations . . .

“To be a graphic designer in a country that is still so wide-open (we’re talking about NZ here) must be exciting. In the Netherlands, design culture is very dominant. We like it that way, we’re not complaining, but what we mean is this: as a design group, we know that our influence on Dutch design culture will be minimal ... As a young designer, you have the possibility to really change national design culture, to have a voice. Young designers, such as David Bennewith and the guys behind The National Grid, are really shaping the image of NZ design. There are scenes to create, standards to be set. Young NZ designers have a world to win. That’s something really special.” / From an interview with Experimental Jetset, by Joanna Alpe & Livia Lima, We Love, for Cheese on Toast /// more news >>

 

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image NEW ZEALAND | designer | artist | curator
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Kelvin Soh (b.1974) is one half of Auckland based design group, The Wilderness. In collaboration with Simon Oosterdijk, past projects include: identity and bottle design for 420 Spring Water; album artwork and music videos for bands such as Dimmer, Concord Dawn and Funkstorung; the creation of Tiger Beer’s ‘Translate’ arts platform and print communications for New Zealand’s presence at the 2005 Venice Biennale. He has curated several design exhibitions such as ‘Everyday’ and ‘Terms of Use’ at the St Paul St Gallery and is currently working on a series of self-commissioned posters with Artspace, Auckland.

  

FOR MORE >> www.thewilderness.co.nz


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L E C T U R E | 1600h | 13.02.09 | view programme

Design and the space of fiction
Kelvin Soh makes design projects that aspire to what writer Harold Rosenberg refers to as ‘anxious objects’ – objects that appear to undermine their own status and elude conventional notions of ‘function’ to occupy ‘the space of fiction’. They often find company in things like artist books, concept cars, film props, art that functions as furniture, architectural models for buildings that never get made, and unwearable fashion-forward clothing – where actual ‘use value’ is imagined or displaced by an intimate but ‘other’ kind of relationship with the world. Drawing inspiration from sources such as early 20th Century typography, Conceptual Art, independent zine publishing, amateur aesthetics and cartooning; Soh will present a selection of projects which attempt to embody ‘anxiety’ as a strategy for reflexivity and advocate an expanded view of practice which exchanges mono-minded professionalism for a stereo-minded, dialectical sense of design.

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About the images

The Alumni (2008), typographic treatment for Peter Stichbury exhibition and book, Te Tuhi | Brillo Boxing (2007), Terms of Use exhibition | St Paul St Gallery | Opticult (2008), unpublished | Home Made Adidas Tee (2004), Every Trifoil Has Its Story - Adidas Exhibition | Superpitcher Flyer, Grand Circle, Auckland

 

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/ Support New Zealand design, and buy ‘Cover Up – the Art of the Book Cover in New Zealand’, by Hamish Thompson, NZ$30, now available from endemicworld.com