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SIMONE WOLF, TYPEVENTS ITALY
and CATHERINE GRIFFITHS

with funding assistance by

creative new zealand

mondriaan foundation

netherlands embassy

and sponsorship by

college of creative arts,
massey university

dalton maag

fontlab

fuji xerox

freestyle

prodesign

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our website
springload
with
catherine griffiths

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/ observations . . .

“To be a graphic designer in a country that is still so wide-open (we’re talking about NZ here) must be exciting. In the Netherlands, design culture is very dominant. We like it that way, we’re not complaining, but what we mean is this: as a design group, we know that our influence on Dutch design culture will be minimal ... As a young designer, you have the possibility to really change national design culture, to have a voice. Young designers, such as David Bennewith and the guys behind The National Grid, are really shaping the image of NZ design. There are scenes to create, standards to be set. Young NZ designers have a world to win. That’s something really special.” / From an interview with Experimental Jetset, by Joanna Alpe & Livia Lima, We Love, for Cheese on Toast /// more news >>

 

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image AUSTRALIA | typographer
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Called a ‘typographic evangelist’ by ‘Eye’ magazine, Stephen Banham is founder of Letterbox, a typographic studio based in Melbourne, Australia. Banham has written and produced fourteen publications on typography, notably the ‘Qwerty’ series (1991-96), the ‘Ampersand’ series, ‘Fancy’ (2004), and the ‘Oblique’ series (2008). Since 2005 he has run a very successful public forum series on graphic design and typography known as Character. Past Character events have included discussions on whether a city can/should be style-guided, political neutrality in graphic design, and the role of accident in graphic design amongst others. In 2007 Character has also hosted Australia’s first typographic film festival, bringing the feature film ‘Helvetica’ and its director from New York for the only Australian screening and Q&A. In 2008 he began a series of publications known as ‘Obliques’. These themed limited editions are wide ranging in their scope – from a typographic tribute to the animals lost in space research through to utopian languages and micro-nations. They also act as type samplers for the ever-increasing stable of typefaces produced through Letterbox. Banham’s design work has been covered in almost every type annual as well as magazines such as ‘Eye’, ‘Emigré’, ‘Adbusters’, ‘Face’ and ‘Typo’ amongst many others. He has spoken at international design events from Barcelona to Beirut, New Zealand to New York. Coupling a love for words as well as what they look like, he has written for various international typographic magazines. He has been a lecturer in typography since 1991 and holds a Masters in Design Research. “Banham is a sometimes outspoken critic of fellow Australian designers, wittily targeting thenarrowness of fashionable typographic taste.” Rick Poynor, ‘Eye’ magazine

FOR MORE >> www.letterbox.net.au


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L E C T U R E  | 1015h | 13.02.09 |  view programme
S is for storytelling

By reflecting upon past and current typographic research projects, Stephen Banham will discuss the exciting possibilities in a wider public engagement with typography.

 

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About the images
Oblique Utopia (2008) | Oblique Orbit (2007) | Oblique Orbit (2007)

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/ Support New Zealand design, and buy ‘Cover Up – the Art of the Book Cover in New Zealand’, by Hamish Thompson, NZ$30, now available from endemicworld.com